48/10
I went to Juilliard
Chronology
The spirits of a dead couple are haunted by an obnoxious family who have moved into their home and hire a malicious spirit to drive them out. This is Michael Keaton’s favorite movie. Otho’s shoes when he’s painting the walls of the house change from red fireman’s elf shoes to white sneakers as he walks through the bathroom and then they change back to red elf shoes when he enters the next room. Adam: What are your qualifications? Beetlejuice: Oh. Well… I graduated from Harvard Business School.
I travel a lot
I lived through the Black Plague and had a great time during it. I’ve seen THE EXORCIST ABOUT A HUNDRED AND SIXTY-SEVEN TIMES, AND IT GETS FUNNIER EVERY TIME I SEE IT… NOT TO MENTION THE FACT THAT YOU’RE TALKING TO A DEAD GUY… NOW WHAT DO YOU THINK? Do You Think I’m Qualified?. The Geffen Company logo is accompanied by a macabre version of the song Banana Boat (sung by the film’s composer Danny Elfman). A print of the film has surfaced with some added/alternate scenes.
Instead of a desert, he sees an empty darkness filled with gears turning
This version of the film is about 2 minutes shorter than the theatrical release, has some extra scenes and is missing others, is in black and white, and has a timecode at the bottom. This version has 4 main differences:
Alternate Scene:
The scene where Adam tries to leave the house after he and his wife die is different. Extra Scenes:
There is an additional scene where Lydia is developing the photos she took of Adam and Barbra. Then, after her mother yells at her and blames her for poking holes in her sheets, Lydia runs upstairs and tries to convince her father that the photos are real. There is more to the scene where the adults are searching for ghosts in the attic, where we see the desert monster trying to eat Adam and Barbra while they are hanging out of the attic window. Finally, there is an extra 2-minute scene at the end where we see Lydia riding her bike home from school and her parents talking to Jane on the phone saying they don’t want to sell the house. Lydia’s dance scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room.
Edited into Terror Toons (2002)
The film ends with a final exterior shot of the house. Day-OTraditional, lyrics by William A. Attaway and Irving Burgie [Incorrectly credited as written by William A. Attaway & Irving Burgie (as Lord Burgess)] Performed by Harry Belafonte Courtesy of RCA Records. This film has always been: 1 – very popular; 2 – very different; 3 – very entertaining; 4 – a very fast-paced hour and a half film. Several of the characters here—most notably Michael Keaton’s unique and sometimes revolting title character, “Beetlejuice”—are always fascinating to watch. Along with him—and the entire film—you also get plenty of humor and creepy special effects.
They’re all good
It was strange to see Alec Baldwin in such a low-key role. In the ’90s, he played very few of those types of guys. Davis looks and acts like… well, Davis, who almost always played nice, cute people that viewers like. It took me four viewings before I finally appreciated Catharine O’Hara’s comedic talents in this film. She’s now my favorite and someone I find absolutely hilarious as the wife/mother of a family who moves into a “haunted house” inhabited by Baldwin and Davis. Keaton made his name as an actor with this wacky Robin Williams-type role, though he never really followed it up with anything as popular as this film. Winona Rider is cute as the teenage daughter, and there are other fun supporting roles from people as diverse as talk show host Dick Cavett, singer Robert Goulet, and actor Jeffrey Jones.
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